On
top of the moors, an area the map simply marks as ‘wilderness’, the dry
heather, which crunches under our boots, sending ash-like cluster of petals in
to the wind, is interspersed by ovoid patches of chocolate-brown peat, like
bare, untended flowerbeds. Some of these
spread out over the area of, perhaps, a tennis court; some are fringed with
pebbles of gritstone, whose quartzite content twinkles in the sun. One of these rain-ploughed mud-plots is
scattered with the bleached, ancient remains of trees; dry, white, twisted limbs
of wood. The paleness of the wood
against the darkness of the earth makes them look like bones, the strange bones
of long-lost dinosaurs, up there on the hills.
A multi-forked stump looks like a vertebra; a fragment of a branch is a
rib. They sit on the surface, or are
slightly buried in the mud. Industrial rain
has stripped the fibre out of the layers of peat and left these totems of
forgotten forests exposed once more to the air.
How strange to think of these high moors covered in trees. These places, so familiar as bleak wastes of
emptiness and bog, were once thick with greenery and full of life. It’s a vanished landscape, whether it was
caused or abetted by man’s actions, or whether it was just a part of nature’s
ceaseless change, but those bones of trees are there for now, reminding us of
what has passed.
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